Friday, 24 February 2012

Chapter10




 I thought this was going to be difficult but getting started was the hardest part.  Once I had selected some images from my source material I could develop a range of ideas.





 I still didn't have a clear idea of what I wanted so some mock-ups seemed a good way forward
 All would work in Wiremesh but not in  paper.  I liked the twisting seed pods and these wenrt well with the flower
                                             I just needed a leaf to fill the curved shapes
 I still didn't have a clear idea of how I wanted it to look so another mock-up seemed in order
                     I was really pleased with the result; very Grinling Gibbons, but clolour??

     
                                                                  The finished piece

 Close-ups to show Vermicelli on the petals----Perle8 varigated on the bobbin, 30s embroidery thread on top.

 seed pods stitched in zig-zag with varyied length and width for texture and different colours on top and bobbin

 The leaves are red on top and rust brown underneath.  they are stitched with Cable stitch on Perle8, straight stitching and granite st in embroidery 40s


                                                        all sewn onto a piece of felt



Module Two
This was a great module, though early December was not the best time to start it.  Our own garden had been "put to bed" so there wasn't a seed head in sight.  My own photos and local fields provided most of the source material and the mild winter meant the was quite a few plants still in flower.
I have abandoned the notebook and work on seperate sheets now as this is easier to scan, using photos has also been successful.
The chapters presented lots of opportunities to work with new materials and threads.  I have worked with applied fabrics and  textured threads before but I loved the sari silk, however I was forever picking up brightly coloured filaments.  They even got onto the cat! 
Printing onto paper and fabric was great fun and now that I can make a  durable block I  look forward it doing more in future. 
Getting to grips with Bridget Riley's images was taxing at first but by far the most difficult thing was manipulating tissue paper and glue into a 3D form.
I think I am more confident about drawing now an I'm  particularly pleased with Chapter 10. I think I'm better at choosing colours and stitches now, so I rely less on my old favourites.

Saturday, 18 February 2012

Chapter 9


Printed  and stitched papers
 L-R blue and black handmade papers printed wirh a new block i made, Based on the drawings of a daisy in Chapter 1.  The circles are also hand-made papers,  this papers would be too thin to use an their own so I plan to stitch them together.  The rectangle, square and triangle being Khadi papers.
Below shows the reverse side of the Kadi apers


 The rectangle  was printed with overlapping daisies, using the same red on both sides to try to coordinate them, a with the stitching, but the blue seems to show far more as the piece was cut and curled.





 
 


  The square  wa stitched with a leaf  pattern and a mustard coloured thread. The stitches on the leaf tended to pile up at times but I thing this added texrure. It was cut and curled, some pieces are reversed to make loops. They were held in place with double sided tape.  I like the yellow ochre and pale blues and would use this combination again.

  Photographing through the shape gave overlapping circles which might make a design based on that idea.



The triangle. I mixed blue and white on the pallette before painting it onto the block so it produced a variety of colours, sometimes on each print which is more obvious on the second photo.


The black and blue hand-made papers were stitched together using a variagated cotton thread and a satin stitch pattern to emphasise the colours.  It was cut and the strips looped back on themselves.

                                                                    in close-up



The circles of hand-made paper, stitched together using a circular stitching gadget  on the machine and a waterlily pattern. Pink, lilac, purple and silver threads were used.  The shape was cut and the pieces curled in and out to make "petals" (idea for Chapter 10?)





Layers of Paper
Black and white Khadi papers stitched together with a feather stitch.  The stitch length and width was altered for each row of contrasting thread.  It looked rather dull so I added some red which seemed to work well.




Using Acrylic Wax. 
A diamond shape, printed green on one side and deep pink on the other before being painted with Acrylic wax and stitched with pale and deep pink.  The cuts were made at random agross the piece so the loops were less regular.

                       I photographed it from narrow and wide ends for interesting shapes.


Blue Khadi paper printed with deep yellow sun flowers on one side and yelllow daisies with white cenrtres on the other, then Acrylic wax.  it was stitched with a sunburst pattern, then cut and curled.





Thinner papers. 
Section of a serviette backed with a paper from a scrapbooking selection and stitched with a loop pattern using beige,sage and deep green.
                    
                                        Reverse side which would make a useful  background.

I stitched tucks on the sample and wanted to cut and curl sections but the backing paper was quite spongey and this didn't work well.

Sections cut from the corners of a Christmas serviette and used to make an all-over pattern.

The red free machined outlines showed up will on the black tissue backing but the stitching varied ( blunt needle) and made loops on the tissue side but I quite like the effect.


I tried to add depth to this print but the colouirs got lost it the busy design.  The stitched showed better on the yellow tissue backing and I like the effect.


The sample was rolled up, then cut and curled.



Wiremesh. 
A square, heated with a hest gun but this doesn't show well.  I used a variagated thread and a star pattern stitched at random over the piece, the cut and shaped it. 




Stitched in triangles using a satin pattern and variagated cotton thead, then outlined with cable stitch in toning colours.

                                                      I really like the delicate look of this
                                 I really like the sheer effect of the stitched Wiremesh


Layers of fabric. 
Pinks lilacs and purples on one side and red, orange and golden yellow on the other.  Stitched in toning colours and a variety of stitches before cutting and curling.  The possibilities for shapes seemed endless.


                                                     This shot reminded me of seaweed.